Uppryckning
Nej, jag fastnade inte under en rotvälta i blåbärsskogen. Jag skyller bristen på uppdateringar på för mycket artikelhamrande och barnafostran.
En omslagsartikel (Close-Up #135) och en stor recension (Sydsvenskan 14/9) måste betas av innan jag orkar blogga ordentligt igen, så jag nöjer mig med att peppa för nästa album med KRISIUN (Century Media skickade just ut ett pressmeddelande). Flamenco på en KRISIUN-platta! Det här måste höras.
Death Metal bros KRISIUN triumphantly return with their newest monument of brutality “The Great Execution”, set for release on October 31st in Europe and November 1st in North America!
“The Great Execution” is the band’s 8th studio album and musically expands KRISIUN trademark high speed death metal violence with a heavily increased amount of diversity ranging from extreme tempo variations over distinct rhythm patterns to clean guitars and even Flamenco parts!
KRISIUN only used analog gear and instruments this time to avoid the compressed sound that so many musicians produce today. This wise decision resulted in a more organic sound, with the songs on “The Great Execution” possessing both warmth and rawness, which are so often lost through digital production. The low end is deeper, with drums that pound instead of bounce and guitar tones that sear rather than hiss.
Death Metal bros KRISIUN triumphantly return with their newest monument of brutality “The Great Execution”, set for release on October 31st in Europe and November 1st in North America!
“The Great Execution” is the band’s 8th studio album and musically expands KRISIUN trademark high speed death metal violence with a heavily increased amount of diversity ranging from extreme tempo variations over distinct rhythm patterns to clean guitars and even Flamenco parts!
KRISIUN only used analog gear and instruments this time to avoid the compressed sound that so many musicians produce today. This wise decision resulted in a more organic sound, with the songs on “The Great Execution” possessing both warmth and rawness, which are so often lost through digital production. The low end is deeper, with drums that pound instead of bounce and guitar tones that sear rather than hiss.
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